After May

AFTER MAY/ APRES MAI. Starring Clement Matayer, Lola Creton, Felix Armand, Carole Combes, India Menuez. Directed by Olivier Assayas. 106 minutes. Rated MA 15+ (Strong nudity and drug references).

The May of the title is that of May 1968, the month of the student demonstrations and protests at the Sorbonne, Paris. It was a moment of truth in French society and politics, signalling change. This story takes place some years later, focusing on a young man in high school, listening to a philosophical paragraph from Blaise Pascal, the teacher urging his students to think about their situation.

The potential for interest in this kind of story is quite strong and has been treated in a number of films, especially Bernardo Bertolucci’s The Dreamers. However, while many audiences may be caught up in this story and its characters, many will not. This review is amongst those who were not.

The focus of the story is a pasty-faced, gaunt, long-haired young man who is committed to protests, demonstrating and running the risk of being injured by police brutality, is into painting graffiti on the walls of his high school, likes having abstract discussions about social issues and affiliations with groups like the Trotskyites. He also aspires to be an artist. And he moves with a group of like-minded young people, rather interchangeable with each other, rather than standing out as interesting and distinguishable characters. There is a young woman with whom the young man has an affair, but she moved to London. There is a fellow artist who is infatuated with an American woman in Paris. Then there is another young activist woman who could be in love with the young man, but…

After experiencing some difficulties and threats, some of the group go off to Italy but the young man is dissatisfied there and comes back to France where he is involved, partly-involved, continuing with his art, falling in and out of love, wanting to make films. He finally get his chance to be involved in England when he works at Pinewood Studios in one of those prehistoric kind of films like The People that Time Forgot, but this one has a mixture of dinosaurs and Nazis and a submarine. And there we leave him except that he seems to stand in for the character of the writer-director, Olivier Assayas, who has made a number of very interesting films, but not this one. A film for specialists of the period and those who enjoy French films which are a mixture of the morose and the abstract.

Fr Peter Malone MSC is an associate of the Australian Catholic Office for Film & Broadcasting.


November 21 2013.

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