Released in 1994 re-released July 2010.
MARY. Docudrama. Starring Lucy Bell. Directed by Kay Pavlou. 1994. Rated G. 75 minutes.
Spanning sixty years, the breadth of Australia and the grandeur of Rome in the late 19th Century, Mary tells the story of one of Australia’s greatest battlers.
Born to Scottish migrant parents in 1842, Mary experienced a calling to religious life at the age of 5. By the time she reached her early 20s, Mary was deeply troubled by the plight facing the impoverished lower classes in colonial Australia.
Her love of humanity, a belief that everybody deserved a fair go and an early calling to religious life saw her, with guidance from Father Julian Woods, establish the order of the Sisters of St Joseph.
Dedicated to the education of all people regardless of race, social status or religious belief, Mary’s unfailing dedication to her work and disregard for social barriers brought her into conflict with the Catholic hierarchy and resulted in her excommunication from the Church she loved.
Facing the might of a powerful congregation of bishops, she stood alone, rock solid, in her quest for equality for all and the right for her order to answer only to Rome.
After the excommunication was lifted by the dying bishop who originally invoked it, Mary travelled to Rome to put a case for an independent order to the Holy Father.
One hundred years later, the Sisters of St Joseph, the order founded by Mary, continue to bring enlightenment and knowledge to hundreds of thousands of people around the world.
Fr Peter Malone MSC says of this film, “Mary is a small-budget docudrama on Mary McKillop, released just before Pope John Paul II's visit to Sydney for the Beatification ceremony, January 1995. A number of documentaries for television (including a Four Corners report) were produced at the time. At the time of the Bicentenary, Michael Willessee produced a series of 45 minute telemovies which included Mary McKillop with a vigorous Lorna Lesley in the role.
Mary has an interesting selection of talking heads (Sisters of St Joseph, Fr Gumpel, the German Jesuit looking after the case for the Vatican, and interviewer, Claire Dunne). However, a number of sequences of Mary's life were re-enacted with a vivacious Lucy Bell as Mary. She was not a holy card Mary (except for a sequence with Pope Pius IX) and she gives us some insight into the pioneer nun and her struggles and achievement. The miracle sequence at the end is an odd combination of the earthy and the haloed holy. The director was Kay Pavlou (who admired Mary but whose background was Greek Orthodox).”